The number 432 is considered sacred in a majority of the major temple complexes of this planet.
For instance, one side of the Great Pyramid, Egypt, at its sea level foundation, is 432 Earth Units (51.49 cm).
The major Toltec complex of Teotihuacan in Mexico, has its great Pyramid of the Sun with an overall base of 864 STU (Standard Teotihuacan Units) which is twice 432.
STU was the Toltecs measure unit for this site, as their "myths" relay it was taught them by the Shaman Wizard gods from the stars. Each side of this Sun Pyramid is 216 STU, precisely half of 432, and 3 x 72.
The heart has the least effort for pumping blood to endocrine glands, when operating in a rhythm of 72 beats per minute, it beats literally with the hologramme of the planet and the universe -- 72 bpm is the foundation beat of compassionate love.
THIS IS OMEGA SONIC SACRED GEOMETRY
The universe is based on harmonic series such as 72, 144, 432. And 144
(a "C" tone in hertz) is a perfect harmonic of the speed of light, which is 144,000 nautical miles (144,000 minutes of arc per Earth grid second) in the vacuum of space.
Each of these harmonics are literally a mirror, or a cascade of mirrors within mirrors,
that 8 hz can look into. For example 144 is 18 x 8 hz, and 72 is 9 x 8 hz.
The way that light travels in space is thus a 144 decimal harmonic (144:144,000),
The archaic Egyptian instruments that have been unearthed, so far, are largely tuned to 432 hz. In ancient Greece (the school book original place for music) their instruments were predominantly tuned at 432 hz.
Within the archaic Greek Eleusenian Mysteries, Orpheus is the god of music, death and rebirth, and was the keeper of the Ambrosia and the music of transformation (his instruments were tuned at 432 hz).
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The shamanic/festivial use of a specific series of drums, trumpets and harps in Sumeria, had them all tuned at 432 hz, and related harmonics of 72 and its decimal 720.
These instruments were utilised for pre-Arabic ethnobotanical plant and metal alchemy, which harvested the elixir of divination and divinity.
The "god-kings" utilised these within their sacred circle firestone dance.
In the midst of these symphonic circles, they placed a phoenix (sky fire bird) fire stone, which was called the Sham.Mu.
Within the Mesopotamian cylinder seals (of which more than 100,000 such books have been unearthed so far) these "fire stones" are often described to be made out of 'superconducting-like' elements, usually monatomic iridium from meteorite.
Dolphins can hear our thoughts, because their sonic senses extend into the infrasonic and ultrasonic ranges. So our alpha brain waves, like 8 hz, are music to them. Mankind, in a non-shamanic state, does not hear 8 cycles. But one can make audible its harmonics, such as 72 hz (9 x 8 hz), 144 hz (18 x 8 hz) and 432 hz. And then further synchronise
the music in binaural 8 hz, to reawaken us to the orchestra of our thoughts, in the cathedrals of our minds.
There are many other great wonders that 432 hz phases into. Look at the Buddhist temple of Borobudur, in Java.
At Borobudur there is a Pyramid of Mt. Meru.
Meru is the world and universal mountain created by the Vedic original Germinating god, Manu, as he descended into this universe and planet. Bringing with him S-AUM-A (the plant from which the elixir of immortality is made) and Banana's.
Meru is considered to be the Sonic mandala of creation: the Shri Yantra, likened to a sonic holographic plate that upholds this universe, like a Diamond.
Instigated by the living Word AUM.
An interesting Vedic creation "myth", but can a sound made from a series of syllables make a mandalic, or holographic pattern? Dr. Lawrence Blair demonstrated on a tonographer (a sensitised sound plate which vibrates sand to show the wave form pattern of the sound) that the sound AUM, when sung correctly by a Tibetan monk,
indeed does make this pattern of the Shri Yantra in the resonated sand.
Which itself is astounding and reveals an ancient musical science.
The Borobudur Meru Pyramid naturally thus would have 72 stupa's, and there are, of course, 432 Buddha statues at this site.
In this coming Age, when musical instruments are tuned at 432 cycles per second, no matter how hard the music might be, it will be harmonics that are produced.
It will be healthy for the body, tuning the body, vibrating in fractal harmonics with the DNA helix sound matrix of life itself.
Those DNA helixes are musical instruments that are constantly receiving mhz of electricity and the audial currents, which require sound. If that sound is dis-harmonic, a DNA starts to resonate to external disharmonics. Should the external resonating
tune sources, in a person of old age that has their DNA viruses resonating to the outside, become harmonic (such as a 432 hz based music, with all of the over- and undertones of 432) -- then the DNA viruses will remember their coherent PHI-like spiral shape And possibly form of regeneration, Since 8 hz in DNA replication has been described by Scientific American (March 1965, p 28), to be behaving as a room temperature superconductor, the use of sound may enable such genetic alchemy.
This information has been gathered from the internet , readers should do their Own research to validate key points ,,,
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If you take the cycle of the equinoxes, 25920 years, divide it by our understanding of a complete cycle (360 degress) we get 72.
72 is a most useful number that i 'discovered' before i got into all this sacred geometry stuff. As a musician using computer generated noises, i was getting a bit stuck using the normal concert pitch of 440hz. (if you try to divide 440hz into all the notes you get infinite decimal places, not very useful ! But if you change the pitch to 432hz you are able to create all the notes as whole numbers, and all those numbers are also well known ancient sacred numbers. ie.
If you tune A to 432hz, the note D becomes 144 (or 72 at a lower octave). A is also 27hz, 54, 108, 216 etc, depending on the octave.
The digits of all the notes always add up to 9 (4+3+2 and 1+4+4+, this works for ALL the notes at ALL the octaves)
The other thing i discovered is, if you tune your instrument to 432hz, you are also able to match the tempo of the tune with the wavelengths of each note. The tempo of the tune is also then in harmony with the tones and the wavelengths of the tones are in time with the beat
I'm researching the frequecies that best harmonise with DNA at the moment and so far (this is guess work !) because the ratio of atoms making up a DNA molecule is 4:3:2, i think that the frequecy i have been basing my sound on (432hz) may be useful.
edited from alter-states.net
